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	<title>BOULDER PAVEMENT: Arts and Ideas</title>
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	<description>boulderpavement is a Canadian on-line multi-media journal. Volume 1, Issue 1 features work centered around music and nature and includes: an interview with composer John Luther Adams &#38; percussionist Steven Schick; artwork by Peter von Tiesenhausen, poetry by Jennifer Still; memoir excerpt by climber and author James Perrin; an audio interview with artist Kate Hartman; and more.</description>
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		<title>INSTRUMENTS OF REMOVAL &#8211; John Granzow &amp; Denton Fredrickson -</title>
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		<pubDate>Fri, 06 Nov 2009 22:10:14 +0000</pubDate>
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				<category><![CDATA[Essay]]></category>

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A circuitous walk through the laboratory of psychopataphysics and ventriloquy at The Banff Centre


In a world which is characterized not by the autonomization of sensory channels and their corresponding media but by their remorseless interchange, the voice is kind of a sluggish impediment to the logic of sensory conversion and commutation.

&#160;
     [...]]]></description>
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		<title>HEARING, LISTENING AND COMPOSING FOR OUTSIDE -Interview by Steven Ross Smith-</title>
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		<pubDate>Fri, 06 Nov 2009 22:28:33 +0000</pubDate>
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				<category><![CDATA[Interview]]></category>

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INTERVIEW WITH JOHN LUTHER ADAMS &#038; STEVEN SCHICK JUNE 2009 &#8211; CONDUCTED AND EDITED BY STEVEN ROSS SMITH

&#160;
At 9 p.m., on June 21 2009 &#8211; the summer solstice &#8211; as the sun sank behind the Bourgeau Range of the Bow Valley in Canada&#8217;s Rocky Mountains, a group of eighteen percussionists from all over the world [...]]]></description>
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		<title>SNAKE SKIN &#8211; Jennifer Still -</title>
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		<pubDate>Fri, 06 Nov 2009 22:47:52 +0000</pubDate>
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				<category><![CDATA[Literary]]></category>

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SNAKE / SKIN : Click to read poem (12 pages)






















>> JENNIFER STILL BIO






]]></description>
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		<title>POEMS &#8211; Gerald Hill -</title>
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		<pubDate>Fri, 06 Nov 2009 22:28:48 +0000</pubDate>
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				<category><![CDATA[Literary]]></category>

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		<description><![CDATA[







In Wind Again, Wondering

Today’s wind humbles mind, breathes it, trailing
fragments of blue sky, elmming like crazy.
Stan’s ball cap blow offs, his book blows open.
He places his bag on top of the book,
it blows off.  As he bends to reach his bag
the table gives way.  Fighting for balance
but further from it all the time, [...]]]></description>
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		<title>AFTERMATH &#8211; James Perrin -</title>
		<link>http://www.boulderpavement.ca/issue001/aftermath/</link>
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		<pubDate>Fri, 06 Nov 2009 22:48:25 +0000</pubDate>
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				<category><![CDATA[Literary]]></category>

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West: A Journey through the Landscapes of Loss -
Book One:  The Aftermath 

1: Furthest West
&#160;
The tide had drained from Omey Strand. I stopped on the road south of Claddaghduff and looked down across it. Flashes of water still gleamed among the sand, their surfaces under a mercury sky scumbled into pewter texture by a [...]]]></description>
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		<title>THE WATCHERS &#8211; Peter von Tiesenhausen -</title>
		<link>http://www.boulderpavement.ca/issue001/the-watchers/</link>
		<comments>http://www.boulderpavement.ca/issue001/the-watchers/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 22:29:47 +0000</pubDate>
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				<category><![CDATA[Visual]]></category>

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Image 1: Tiesenhausen
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Image 2: Tiesenhausen
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Image 3: Tiesenhausen
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Image 4:Tiesenhausen
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Image 5:Tiesenhausen
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Image 6:Tiesenhausen
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Image 7:Tiesenhausen
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Image 8:Tiesenhausen
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Image 9:Tiesenhausen
&#160;
&#160;
Von Tiesenhausen&#8217;s ice boat concept was first realized on the banks of the Bow river in Banff and sent down the same river while in residency in 1994 at the Banff Centre. 
&#160;
The first Watchers figure was carved at the Banff Centre residency [...]]]></description>
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		<title>LIQUID SOUND COLLISIONS &#8211; Eva Schindling -</title>
		<link>http://www.boulderpavement.ca/issue001/liquid-sound-collisions/</link>
		<comments>http://www.boulderpavement.ca/issue001/liquid-sound-collisions/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 22:29:55 +0000</pubDate>
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				<category><![CDATA[Visual]]></category>

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What happens when you create sculptures using voices and water as your material?

&#160;
Liquid Sound Collision is an aesthetic and interpretive study of the interactions that happen when recorded voices encounter computer-simulated fluids. In a digital environment, audio input can have a more obvious impact on the shape and distortion of iquids than in reality.
&#160;

					  [...]]]></description>
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		<title>INITIAL INVESTIGATORY RESEARCH FOR GLACIER-HUMAN COMMUNICATION TECHNIQUES -Kate Hartman-</title>
		<link>http://www.boulderpavement.ca/issue001/glacier-human-communication-techniques/</link>
		<comments>http://www.boulderpavement.ca/issue001/glacier-human-communication-techniques/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 22:30:01 +0000</pubDate>
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				<category><![CDATA[Visual]]></category>

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The thing about glaciers is that they are completely different from us. Although we&#8217;re able to consider them and have an awareness of them, it is difficult to conceive how we can relate to them.

&#160;
They exist on a completely different scale from humans, both in terms of size and time. But they have had, and [...]]]></description>
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		<title>DANCE IMAGES- Michael Slobodian &#8211;  Robert Etcheverry &#8211; Cylla Von Tiedemann</title>
		<link>http://www.boulderpavement.ca/issue001/dance/</link>
		<comments>http://www.boulderpavement.ca/issue001/dance/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 22:30:09 +0000</pubDate>
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				<category><![CDATA[Visual]]></category>

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Excerpt from 6 Visions / Dance photography in Canada

&#160;
These images are selected from a book-in-development assembled by dance photographer Michael Slobodian.
&#160;
6 Visions is a collection of images from Canadian dance photographers, and spanning more than three decades.
&#160;
The dance represented comes from Canadian and International Dance companies past and present. The photographers have recorded a major [...]]]></description>
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		<title>OUR CONSTANT COMPANION, OR&#8230;  WE DON’T KNOW WHAT IT IS, BUT WE’VE GOTTA DO IT. &#8211; Paolo Pietropaolo -</title>
		<link>http://www.boulderpavement.ca/issue001/our-constant-companion/</link>
		<comments>http://www.boulderpavement.ca/issue001/our-constant-companion/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 22:29:33 +0000</pubDate>
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				<category><![CDATA[Essay]]></category>

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Or&#8230;  WE DON’T KNOW WHAT IT IS, BUT WE’VE GOTTA DO IT.

&#160;
A few hours after the devastating tsunami struck Sri Lanka on Boxing Day, 2004, my wife Natasha and I landed at Bandaranaike International Airport outside Colombo for a family visit.  We didn’t yet know what had happened.  Her brother was there [...]]]></description>
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		<title>THE MUSICAL LANDSCAPE OF PAUL KANE&#8217;S WESTERN JOURNEY, 1845-8 &#8211; Daniel Laxer -</title>
		<link>http://www.boulderpavement.ca/issue001/the-musical-landscape/</link>
		<comments>http://www.boulderpavement.ca/issue001/the-musical-landscape/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 22:29:04 +0000</pubDate>
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				<category><![CDATA[Essay]]></category>

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&#160;
&#8220;I heard the sound of some musical instrument, and upon approaching the performer, who was lying under a tree, I found that he was playing on an instrument resembling a flageolet in construction, but much softer in tone. . . I have often listened with pleasure to this music, as its simple and plaintive notes [...]]]></description>
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		<title>BEFORE THE PHOENICIANS &#8211; Lynn Davies -</title>
		<link>http://www.boulderpavement.ca/issue001/before-the-phoenicians/</link>
		<comments>http://www.boulderpavement.ca/issue001/before-the-phoenicians/#comments</comments>
		<pubDate>Tue, 10 Nov 2009 20:12:07 +0000</pubDate>
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				<category><![CDATA[Literary]]></category>

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		<description><![CDATA[





&#160;

Last night we lay under the stars with a map
and a flashlight, the lake beside us
reflecting passages we found in the sky.
Named by the Phoenicians-Draco the dragon,
the Dippers, and the shifting pole star, Thuban,
the pyramid builders used to orient their stones.
And someone said the fires we see up there
could be the light still travelling from [...]]]></description>
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